Creative Arts Emmys: „Westworld“ und „Stranger Things“ glänzen

HBO und Netflix führen bei den frühen Emmy-Auszeichnungen

Bernd Krannich
Bernd Krannich – 11.09.2017, 14:03 Uhr

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Prosthetic Makeup for a Series, Limited Series, Movie, or Special: „American Horror Story: Roanoke“
Makeup for a Limited Series or Movie (Non-Prosthetic): „Feud: Bette and Joan“
Makeup for a Single-Camera Series (Non-Prosthetic): „The Original“ – „Westworld“
Makeup for a Multi-Camera Series or Special (Non-Prosthetic): „Saturday Night Live“ – „Host: Alec Baldwin“

Hairstyling for a Multi-Camera Series or Special: „Hairspray Live!“
Hairstyling for a Limited Series or Movie: „Feud: Bette & Joan“
Hairstyling for a Single-Camera Series: „Westworld“

Music Composition For A Series (Original Dramatic Score): Jeff Beal („House of Cards“ – „Chapter 63“)
Music Composition for a Limited Series, Movie, or Special (Original Dramatic Score): Jeff Russo („Fargo“ – „Aporia“)
Music Supervision: „You Get What You Need“ – „Big Little Lies“
Original Music and Lyrics: „13th“ – „Letter to the Free“

Single-Camera Picture Editing for a Drama Series „Stranger Things“
Single-Camera Picture Editing for a Comedy Series : „Master of None“
Multi-Camera Picture Editing for a Comedy Series: Peter Chakos „The Big Bang Theory“
Picture Editing for a Structured or Competition Reality Program: „RuPaul’s Drag Race“
Picture Editing for Variety Program : „Last Week Tonight With John Oliver“
Picture Editing for a Nonfiction Program : „O.J.: Made in America“
Picture Editing for an Unstructured Reality Program: „Life Below Zero“ Single-Camera Picture Editing for a Limited Series or Movie: „The Night Of“

Production Design for a Narrative Period Program (One Hour or More): „The Crown“
Production Design for a Narrative Program (Half-Hour or Less): „Veep“
Production Design for a Narrative Contemporary or Fantasy Program (One Hour or More): „The Handmaid’s Tale“
Production Design for a Variety, Nonfiction, Reality or Reality-Competition Series: „Saturday Night Live“
Production Design for a Variety Nonfiction, Event or Award Special: „Hairspray Live!“

Lighting Design/​ Lighting Direction for a Variety Series: „Dancing With the Stars“
Lighting Design/​ Lighting Direction for a Variety Special: „Super Bowl LI Halftime Show Starring Lady Gaga“

Sound Editing for a Series: „Stranger Things“
Sound Editing for a Limited Series, Movie or Special: „The Night Of“
Sound Editing for a Nonfiction Program: „The Beatles: Eight Days a Week – The Touring Years“

Sound Mixing for a Comedy or Drama Series (One Hour): „The Bicameral Mind“ – „Westworld“
Sound Mixing For a Comedy Or Drama Series (Half-Hour) and Animation: „Now I Will Sing“ – „Mozart in the Jungle“
Sound Mixing For A Limited Series or Movie: „The Beach“ – „The Night Of“
Sound Mixing For a Variety Special Series or Special (tie):
„59th Grammy Awards“
„2017 Rock And Roll Hall Of Fame Induction Ceremony“
Sound Mixing For a Nonfiction Program (Single or Multi-Camera): „The Beatles: Eight Days A Week – The Touring Years“

Documentary Filmmaking: „LA 92
Documentary or Nonfiction Special : „13th“ (Netflix) Documentary or Nonfiction Series: „Planet Earth II“ (BBC America)

Structured Reality Program: „Shark Tank“ (ABC)
Unstructured Reality Program: „United Shades Of America: With W. Kamau Bell“ (CNN)
Informational Series or Special: „Leah Remini: Scientology and the Aftermath“ (A&E)
Special Class Programm:“70th Annual Tony Awards“ (CBS)
Variety Special: „Carpool Karaoke Primetime Special 2017“ (CBS)
Original Interactive Program: Felix & Paul Studios („The People’s House – Inside the White House With Barack and Michelle Obama“)
Host for a Reality/​Reality-Competition Program: RuPaul Charles („RuPaul’s Drag Race“)

Short Form Comedy or Drama Series: „Los Pollos Hermanos Employee Training“: „Better Call Saul“ (AMC)
Short Form Nonfiction or Reality Series: „Viceland at the Women’s March“ (Viceland)
Short Form Variety Series: „The Daily Show – Between the Scenes“ (TheDailyShow.com)
Commercial : John X Hannes & Smuggler („Calling JohnMalkovich.com – Squarespace“)

Creative Achievement in Interactive Media Within a Scripted Program : HBO, Kilter Films & Bad Robot („Westworld“)
Technical Direction, Camerawork, Video Control For A Limited Series, Movie, or Special: „Hairspray Live!“
Technical Direction, Camerawork, Video Control for a Series: „Saturday Night Live“ – „Host: Jimmy Fallon“
Creative Achievement in Interactive Media Within an Unscripted Program „The Oscars: All Access“

Motion Design (Juried Award):
„Beyond Magic“ (Beyond Magic)
„13th“ (Netflix)

Individual Achievement in Animation (Juried award):
„Samurai Jack“ – „XCIII“ (Adult Swim): Bryan Andrews (Storyboard Artist)
„Samurai Jack“ – „XCIII“ (Adult Swim): Scott Wills (Production Designer)
„Samurai Jack“ – „XCII“ (Adult Swim): Craig Kellman (Character Designer)
„Samurai Jack“ – „XCV“ (Adult Swim): Lou Romano (Background Designer)
„Wander Over Yonder“ – „The End Of The Galaxy“ (Disney XD) – Justin Nichols, Character Animator

Interactive Program: „Last Week Tonight with John Oliver“ (Partially Important Productions)

Innovation in Interactive Programming (Juried award):
„Pearl“
Patrick Osborne (Director)
David Eisenmann (Producer)
Karen Dufilho (Executive Producer)
Google Spotlight Stories
Evil Eye Pictures

Music Direction: Rickey Minor („Taking the Stage: African American Music And Stories That Changed America“)

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